First Friday in Milwuakie - June 4th

I will be at First Friday in Milwuakie tomorrow, June 4th with all my little goodies. Come down and join in on the fun. They gave me a nice big space to play with. :)

For more info on the show, check out their website at firstfridaymilwaukie.com or fan them on Facebook

"2 am"

I've officially exhibited my newest Numberism piece, "2 am" at the PCA's "A Rainy Day Wildfire"
(The original will be hanging through May at OMCC).
So here it is, for your viewing pleasure.

This is a 16" x 20" scratch board numberism drawing, drawn with the numbers of the clock, 1 - 12, signifying time in a fleeting moment. Each piece focuses on moments we cherish once the sun sets. Much of the series will be more adult in nature.

Each piece in my Evening piece will be titled between 6pm and 6am. This is the first. I have about four more of these already planned, and there will be 12. I am employing the services of three Portland Photographers to shoot these pieces, including Ian Dawson and Benjamin Frothingham. When I exhibit, we will be showing both my drawings and their original photography.

Below are a few detail shots of the piece. I'm not telling of the specifics, but there are secrets in this drawing....

Prints available at www.FrogFaith.com/gallery @ My Etsy account at www.SiennaMorris.Etsy.com and @ My Redbubble account at Sienna.Redbubble.com

Model: Talia Burkett.

Progress on A Rainy Day Wildfire...

I'm working on my new piece for Portland City Art's April show, themed, "A Rainy Day Wildfire".
This is the largest I've worked in scratch board so far (16 x 20), and poses all it's own challenges. Working in scratch board has been interesting so far. I'm drawing light, only light, and ignoring the shadows, which is the opposite of what I'm used to.

For this piece, I plan to finish it in black and white with red lighting filtering through an open window (There will probably also be some blue tones). This will be the first real attempt with this styling, which is what I plan for the next series, which will be the couple series to the last Perpetual Motion series, focusing on all those moments we cherish and revel in once the sun sets.

My photographer friend, Benjamin Frothingham took the photo for me. At one point, I wasn't sure if we were going to get the shot. First I lost my male model, then once I had a new male model, I lost my female model, found another one, and the guy dropped out. At the end of the night, my original photographer had gone home for the night and we were left with two girls and no photographer. Benjamin came to my rescue and shot the piece for me, and in the end, I decided to use what I had, the two girls. It's a moment I haven't captured so far with numberism, and one that is perfect for the piece, actually.

So after all the half stops and reversals, we got the shot, and I am now diligently working on it so that it will be ready for the show on April 15th.

It's 16 x 20 inches, and so far, I've drawn about 2 inches. There's much work to be done! You can assume that I'll be in my drawing room all next week and hardly reachable.

Here's a quick snap shot of the candle. (I won't be posting the finished piece online until after the show, so if you want to see it, you'll have to come.) :)

The image below is about 2.5 inches tall.




Also, I will be at Swan Day working on this today from 12 - 5pm at the Portland Expo Center. Seven of my originals are hanging (some new). They gave me a nice wide space for me and my booth, so I also have prints with me, including some of my limited editions (a new 30" x 24" limited of Transitional).
Tab and co are set up at Skidmore Saturday Market in our usual place with the rest of our prints.



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